Dane Mitchell talks to Cityscape about his new creation for SCAPE Public Art Spring Season 2020, and how art can serve as a ‘Trojan horse’ for new perspectives and ideas. Can you describe the artwork for me? The work comes directly out of 'Post hoc’, my Venice Biennale, New Zealand Pavilion exhibition, in that it seeks to extend the central language of that work and think about vanished, extinct and gone things in new, extended ways. It’s an oversized ‘object mount’, an apparatus to hold an object in a museum. This establishes the vague form of a (missing) non-human species – something akin to a mammoth in scale, even larger. The shape of the mount also suggest something that’s perhaps rigid, or technological, sitting somewhere close to an extinct or lost species, yet entangled in a fiction by which it might be imagined to have held aloft some sort of technological...
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Photography by David Straight
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Photography by David Straight